{"id":410,"date":"2025-04-06T10:25:51","date_gmt":"2025-04-06T10:25:51","guid":{"rendered":"https:\/\/new.saint-anthony.be\/?page_id=410"},"modified":"2025-07-12T14:52:39","modified_gmt":"2025-07-12T14:52:39","slug":"history","status":"publish","type":"page","link":"https:\/\/new.saint-anthony.be\/index.php\/history\/","title":{"rendered":"History"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>THE STORY OF ST. ANTHONY<\/strong>\u2019<strong>S PARISH<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>A Brief History<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The story of St. Anthony\u2019s Parish begins in the 1960s, a time when Brussels was becoming a hub for European integration. As the Republic of Ireland and the United Kingdom entered negotiations to join the European Economic Community (EEC), many English-speaking civil servants, diplomats, and professionals began relocating to the city. These expatriates sought not just familiarity and friendship, but also a place to nurture their shared Catholic faith.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Local parishes existed in Brussels, but none offered services in English, although there was a tourist Mass in the city centre and an American Parish in Waterloo. In response to this spiritual and social gap, families reached out to the Irish Franciscan friars at St. Anthony\u2019s College in Leuven, who agreed to begin celebrating Mass in English in Brussels. An arrangement was made with the oratory of St Joseph\u2019s Redemptorist Church at Square Orban, and the first Mass took place in November 1969 attended by around 40 people. Initially held every two weeks, the Mass soon became a weekly gathering. <strong>PHOTO 1<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">By 1971, a Community Council was formed in order to help with the organisation of numerous events and gatherings, and the name \u201cThe Community of Saint Anthony\u201d was informally adopted, honouring the Franciscans\u2019 home in Leuven. The community quickly expanded, both spiritually and socially, with Masses, prayer groups, catechetics, and social\/fund-raising events creating a strong sense of belonging among parishioners.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>An English Chaplaincy in Brussels i<\/strong><strong>s Born<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In January 1972, Ireland and the UK signed accession treaties to join the EEC. On this occasion, the Irish delegation, led by Prime Minister An Taoiseach Jack Lynch, attended a Mass at St Anthony\u2019s College in Leuven and hosted a dinner there. Amongst the signatories present was Cardinal Leo-Josef Suenens, Archbishop of Mechelen-Brussels. He was known for his progressive and open-minded approach. He was one of the most influential figures of the Second Vatican Council (1962-1965), advocating for reforms that promoted greater openness to modern society. Suenens strongly believed in the importance of reaching out to diverse groups and fostering inclusivity. He recognised the growing English-speaking population in Brussels and it\u2019s pastoral needs.&nbsp; He proposed the creation of an English chaplaincy, which was in line with his broader vision of addressing the needs of the growing, multicultural communities in Belgium, especially in cosmopolitan areas like Brussels. He invited the Irish Franciscans to formally establish an English-speaking chaplaincy in Brussels\u2014with the hope that this would eventually serve a wider international congregation.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Irish Franciscans responded by appointing Fr Michael Bailey OFM in October 1972 to lead this mission. Though initially commuting from Leuven, he soon relocated to Brussels, taking up residence in Uccle and continuing to celebrate mass for the community at St Joseph\u2019s church. Warm, charismatic, and inspired by the reforms of the Second Vatican Council, Fr Michael envisioned a parish that was inclusive, open, and adaptable to the needs of a diverse, often transient population. <strong>PHOTO 2<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Building a Community Without a Home<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The early years were marked by logistical challenges. The church at St Joseph\u2019s quickly became too small. In 1973, facilitated by the Diocese, the community moved to St Julien\u2019s in Auderghem.&nbsp; It was at this time that the community of St Joseph came into being, for those in the community who preferred a more central location.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">St Julien\u2019s provided facilities that were to be shared with the existing French- and Dutch-speaking congregations. While the move offered more space, the English-speaking community only had access to the side chapel, and this was limited and often unreliable as the other communities retained priority over the facilities. Sunday School classes had to be held down the street at St Julien\u2019s School\u2014requiring children to cross busy roads\u2014and other activities were scattered across temporary venues.&nbsp; <strong>PHOTO 3<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nonetheless, the community thrived. A vibrant music ministry was introduced by a small group of parishioners who were active in the local Irish folk music scene, to encourage congregational singing. After Mass, parishioners gathered in nearby schools for coffee and conversation, strengthening the bonds of fellowship.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 1975, a major step was taken: the community formally registered under Belgian law as a non-profit association under the name \u201cThe Community of Saint Anthony ASBL\u201d&nbsp; and purchased a rectory at 54 Avenue de l\u2019Oiseau Bleu in Woluwe-St-Pierre. This became the administrative and pastoral centre for Fr Michael\u2019s work and allowed for regular gatherings, adult education, catechetics, and parish council meetings.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The ASBL\u2019s founding members were Fr. Raymond Van Schoubroek, a member of the clergy and deputy to the Vicar-General for the Vicariate of Brussels, Herman Servotte, a member of the clergy and Vice-Rector at the Catholic University of Leuven, Marie Rose Degive (n\u00e9e Ansiau), a very active lay member of the Diocese working with foreign communities, Aidan Supple, a European Commission civil servant and member of St Anthony\u2019s community, Fr. Michael Bailey OFM, Parish Priest.&nbsp; The ASBL structure remains in place today and guarantees the legal status and oversees management of the parish\u2019s assets.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">By the early 1980s, the difficulties of sharing premises at St Julien\u2019s had become acute. English-language Masses were often cancelled, at the last minute due to the needs of the other language communities which had priority.&nbsp;&nbsp; Sunday School was held in two separate locations, and coordination was increasingly complex. While other denominations\u2014such as the Church of England and the Church of Scotland\u2014had by now, established permanent facilities in Brussels, the English-speaking Catholic community remained without a home of its own.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fr Michael painstakingly pursued his ambition to find a more suitable premises for the community.&nbsp; During this time he visited around fifty potential venues, all of which were ultimately unsuitable. In order to respond to the needs, additional masses were celebrated at the chapel in the Woluwe Shopping Centre which became so popular that weekday masses and open-door counselling were also introduced.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 1983, the Parish began to consider purchasing its own premises as the only viable solution. A property, owned by the Verbum Dei order in Kraainem, became available.&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Verbum Dei and the Kraainem Property<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PHOTO 4<\/strong> Verbum Dei was a sister religious community founded in 1933 by Maria Bersegeers, niece of Lord Jourdain of the nearby Kasteel Jourdain.&nbsp; They had established their convent on a former farm site adjacent to the village centre of Kraainem. Their mission was to provide education and basic facilities for underprivileged children from the surrounding area and the Brussels Marolles district.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 1950, they purchased the plot on Oudstrijderslaan in Kraainem, to serve as a play area for local children and to run summer camps there.&nbsp; During World War II, the site had been used as a military barracks for German officers. The existing structures included a small building (now the main hall of the Parish centre) and two military-style Nissen huts.&nbsp; The sisters embarked on a project to convert and expand these facilitates and in 1957, the building which today houses the Parish centre and rectory, was constructed as an extension to the original building that existed on the property.&nbsp; It was named &#8220;Notre Dame de Clart\u00e9\u201d.&nbsp; The initial plans also included the construction of a chapel, which was never built.&nbsp; However, their desire for a chapel was to be met quite unexpectedly.&nbsp;&nbsp; <strong>PHOTO 5<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 1958, Brussels had hosted Expo 58, the official Brussels World&#8217;s Fair, and the first held since World War II.&nbsp; It was a landmark event in both the history of global expositions and in the post-war optimism that characterised the late 1950s and was seen as a symbol of technological and cultural progress.&nbsp; <strong>PHOTO 6<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The theme of the Expo, &#8220;A World for a Better Life for Mankind,&#8221; reflected the belief in the power of science and technology to create a better future. The fair featured groundbreaking exhibits and innovations, covering 2.5 km2 with over 41 million visitors from around the globe.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">One of the most famous symbols of the Expo is the Atomium, a giant structure designed to resemble an atom magnified 165 billion times, which still stands today.&nbsp; At the base of the Atomium was situated the Belgian section of the Expo, named \u201cJoyous Belgium\u201d and which included a sub-section called \u201cFuturistic Belgium\u201d.&nbsp; Part of the latter, included a modern chapel that was projecting a futuristic design for the year 2000.&nbsp; It included artisanal works of art as a showcase of modern design and techniques.&nbsp; <strong>PHOTO 7<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When Expo 58 closed, the chapel was taken down and offered to the Bishop who considered it too modern for practical use.&nbsp; Thankfully, a connection to the Verbum Dei sisters was made who were overjoyed to receive the chapel at a nominal cost, for their premises in Kraainem.&nbsp; Thus, in 1959, it was transported to Kraainem and reconstructed there in its original form.&nbsp;&nbsp; Cardinal Suenens officiated at its dedication in 1960. See \u201cThe Story of St Anthony\u2019s Church\u201d.<strong><em> &lt;add link&gt;.&nbsp; <\/em><\/strong><strong>PHOTO 8<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The sisters continued their work in Kraainem until 1970, after which the site was rented to the Flemish Jesuit Noviciate until 1974. From 1977 to 1982, it served as a centre for L&#8217;Arche, an organisation supporting individuals with intellectual disabilities. Subsequently, the property was used as an artists&#8217; centre before being sold to the Community of St Anthony in 1983.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>St Anthony\u2019s Finds a Home<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The purchase of the Kraainem property by the Community of St Anthony was a bold and expensive undertaking.&nbsp; It required support for a long term vision that would serve generations to come.&nbsp; Some parishioners were hesitant, due to their own transient status.&nbsp; However, overall there was strong support for the project.&nbsp; A core group of committed parishioners helped drive the initiative forward.&nbsp;&nbsp; With the support of the Irish Franciscan Province (which facilitated a loan), and following a successful community-wide ballot, the rectory in Woluwe was sold to help finance the purchase and a huge fund-raising programme was initiated in order to pay off the loan in due course.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On 6 July 1983, the ASBL signed the agreement to purchase the property on Oudstrijderslaan 23\u201325 in Kraainem for 8.5 million Belgian francs. The Parish became the official owner on 14 October 1983.&nbsp; Thanks to the commitment of the parishioners and their fund-raising efforts, the loan was repaid within only three years!&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">That Christmas, the Parish celebrated its first Mass in the new church. For the first time in its 10-year history, the English-speaking Catholic community in Brussels had its own dedicated home\u2014one where it could freely worship, gather, teach, and celebrate.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This move coincided with a significant moment in Church history: the 1983 revision of Canon Law formally introduced the concept of a <em>Personal Parish (Canon 518) <\/em>\u2014 for groups of faithful who needed a specific focus for their pastoral care, based on language, ethnicity, or vocation, rather than geographic location. on community.&nbsp; This concept had already been included in the Second Vatican Council (notably the Apostolic Constitution on the Church \u201cLumen Gentium\u201d of 1964).&nbsp; St Anthony\u2019s fit this model perfectly, serving English-speakers from across Brussels and beyond, many of whom were far from their home countries but united by faith.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The First Five Decades<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Over the course of five decades, St Anthony\u2019s Parish has transformed from a modest&nbsp; undertaking borrowing facilities from various local parishes into a thriving, international spiritual home for English-speakers of any nationality. In the period since the purchase of the Kraainem property, the church was extended twice in order to meet the demands of the growing community.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This remarkable journey was guided by the dedication of the early parishioners and the inspired leadership of the Irish Franciscans, who collectively understood the importance of building an inclusive and welcoming English-speaking parish that could be home to those of different cultures and backgrounds for generations to come.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">During this time, each of the priests involved left their own mark on the parish, bringing a unique personality, gift, and era of leadership.&nbsp; But importantly, all were united by their Franciscan values of a love of people, a reverence for creation, and a commitment to humility and service. Many of them were friends and contemporaries, and this continuity of vision helped shape the distinctive identity of St Anthony\u2019s as a warm, welcoming, and inclusive community.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fr Michael Bailey OFM (1982\u20131987, Parish Priest): Laying the Foundations<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As the first Parish Priest in Kraainem, Fr Michael set the vision for the Parish and worked tirelessly to achieve it.&nbsp; He understood perfectly the needs of the English-speaking newcomers to Belgium and strived to create a spiritual home where connections and a sense of community could be built.&nbsp; He led the move from Brussels (Auderghem) to the Parish\u2019s new home in Kraainem and was instrumental in convincing all concerned of the importance of this venture for the present community as well as generations to come.&nbsp; He mobilised the community to invest in the purchase as well as to renovate and expand the chapel and parish hall\/rectory.&nbsp; Under his care, the parish grew rapidly and became a beacon for the international Catholic community in Brussels.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PHOTO 9<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fr Edmund Dougan OFM (1987<\/strong><strong>\u20131995, Parish Priest): A Visionary Shepherd<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PHOTO 10<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A former Guardian of the Irish College and sociology professor, Fr Edmund brought thoughtful, forward-looking leadership to St Anthony\u2019s. He was adept at managing a community of different nationalities, cultures and traditions and was known as a peace maker.&nbsp;&nbsp; As numbers swelled, he responded to pastoral and physical space needs by initiating plans for a major church extension which would double its capacity. Known for his spirituality and sense of inclusivity, he encouraged the development of a vision for a multipurpose church and community centre. His sudden passing in 1995 was deeply felt by the entire parish.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fr John Kealey OFM (1993\u2013<\/strong><strong>2008, Assistant Pastor)<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PHOTO 11<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fr John arrived in 1993 during a time of rapid parish expansion and immediately became a vital support to Fr Edmund. Initially based at the Irish Franciscan College in Leuven as Guardian, he played a key role in sacramental and pastoral ministry. Fr John was known for his quiet dedication, warm pastoral care, and steady support during the parish\u2019s most significant period of physical and community growth. He was an accomplished musician, playing the accordion, and would often participate in musical events.&nbsp; He was also admired for his multi-lingual abilities, able to celebrate mass in 5 different languages, including Flemish &#8211; which was highly appreciated by the local Kraainem community.&nbsp;&nbsp; He remained a consistent and beloved presence until 2008, working alongside Fr Vincent and Fr Pat.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fr Vincent Gallogley OFM (1995\u20132008, Parish Priest): Building and Belonging<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PHOTO 12<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Appointed following Fr Edmund\u2019s death, Fr Vincent led the parish through its largest expansion. Originally from Donegal, and with experience in Ireland, the US and UK, he capably oversaw the architectural doubling of the church\u2019s space, which had been agreed under Fr Edmund. Despite technical challenges\u2014such as the marshy ground\u2014he brought the project to successful completion with the support of the parish community. Beyond bricks and mortar, he nurtured lay leadership, welcoming and supporting community initiatives in particular those with ecumenical and spiritual outreach.&nbsp; He drew up a new constitution for the Parish Pastoral Council, alongside the Finance Council, shaping the governance and ministry of the parish in line with Franciscan values as well as Canon Law.&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fr Pat Power OFM (2008\u20132019): Heart and Humour<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PHOTO 13<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Known affectionately for his wit and humility, Fr Pat brought warmth and a very personal pastoral approach. A long-time friend of the parish\u2014he had officiated its first baptism in 1973 whilst a student in Leuven\u2014he returned as Parish Priest in 2008. He knew the Parish well, as he had also spent many summers there, whilst the Parish Priest took leave.&nbsp; He was deeply engaged with parishioners of all ages, but had a natural affinity with the youth in particular.&nbsp; Animals, too, were drawn to his Franciscan spirit: cats, ducks and geese all found sanctuary at St Anthony\u2019s under his watch!&nbsp; He enjoyed music and was a regular soloist at the annual Christmas Family Concert (as well as other musical events) singing his favourite Christmas song: I\u2019m dreaming of a White Christmas.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fr Brendan Scully OFM (Interim 1995; Assistant Pastor 2014\u20132019)<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PHOTO 14<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fr Brendan first stepped in after Fr Edmund\u2019s unexpected death in 1995 until the appointment of Fr Vincent, and later returned to assist Fr Pat as assistant pastor.&nbsp; Warm and unassuming, he brought a gentle presence and was an enthusiastic celebrant of the children\u2019s mass in particular, assuring the children of God\u2019s love for them.&nbsp; He had a background as a keen sportsman and had always been a keen supporter of Everton Football Club.&nbsp; On the anniversary of his ordination, the parish was able to organise for him to visit the stadium and attend a match there which was an experience that he clearly relished.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fr Michael Nicholas OFM (2019<\/strong><strong>\u20132024): Guiding Through Crisis and Connection<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PHOTO 15<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fr Michael, a soft-spoken friar from Derry, took on parish leadership just as the COVID-19 pandemic hit, with Fr Pat remaining as assistant pastor.&nbsp; As a result of the physical closure of the church due to government restriction, he worked with the parish team to enable the streaming of Masses online, creating a virtual space that reconnected present and former parishioners across the globe. During his tenure, the parish marked its 50th anniversary in 2023\u2014a moment to give thanks for decades of resilience, service and community.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Today, with parishioners from over 40 nations and a vibrant programme of worship, education, and social outreach, St Anthony\u2019s continues to thrive\u2014an enduring testimony to the original foundations laid by parish\u2019s pioneers and the spirit that endures and still guides it forward.&nbsp;&nbsp; Whilst this community continues to be shaped by mobility and diversity, the Parish has always offered something constant: a spiritual home, a welcoming community, and a place to belong.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Over the years it has always been blessed with parishioners who have been willing to invest in carrying forward the original mission and vision.&nbsp; Relying almost exclusively on volunteers, the Parish has managed to develop a comprehensive range of ministries that cater both for the liturgical needs of the parish as well as spiritual growth, outreach and fellowship.&nbsp; Specific groups such as the Knights of St Thomas More have also been established and contribute generously to the workings of the Parish.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Annual highlights in the Parish\u2019s year include:&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The celebrations of First Holy Communion and\u00a0 Confirmation of our young parishioners;\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The pilgrimage to Lourdes where a group of parishioners, including those from the confirmation programme, participate in the Hosanna House and Children&#8217;s Pilgrimage Trust (HCPT) pilgrimage, accompanying disabled and disadvantaged children and adults;\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The Parish Fayre each June which is a major social and fund-raising event for the parish attracting visitors from the larger Kraainem community and beyond; <strong>PHOTO 16<\/strong>\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The Meet n Greet even each September where the Parish welcomes newcomers with a BBQ organised by the Knights of St Thomas More;\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The Angel Tree initiative each Christmas where parishioners contribute gifts for named, underprivileged beneficiaries in partnership with key charities;\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The Christmas Family Concert which celebrated its 25th anniversary in 2024. <strong>PHOTO 17<\/strong>\u00a0<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>A New Chapter under the Dominican Order<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 2024, the Irish Franciscans reluctantly decided to withdraw from their pastoral responsibility for the Parish, due to dwindling numbers and the need to prioritise their ministry in Ireland. Fr Michael Nicholas was thus to be the last Irish Franciscan Parish Priest.&nbsp; This came as a great shock to the Parish and gave way to a brief period of uncertainty.&nbsp; However, following this decision, Archbishop Luc Terlinden approached the Dominican Order to serve the pastoral needs of the Parish, which they accepted.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In thanksgiving for the pastoral care provided by the Irish Franciscans, a special Mass was concelebrated on 14 July 2024 with Father Aidan McGrath OFM (Provincial Minister of the Province of Ireland) in attendance, and a tree was planted in the Parish grounds.&nbsp; <strong>PHOTO 18<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On 9 September 2024, the Dominicans officially assumed responsibility for the Parish. Father Zbigniew Krysiewicz OP was appointed Parish Priest, joined by Father Joe Antony OP and Father Wenifredo Padilla III OP, marking an exciting new chapter in the Parish\u2019s spiritual journey.&nbsp; <strong>PHOTO 19<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ooOoo&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>THE STORY OF ST. ANTHONY<\/strong>\u2019<strong>S CHURCH&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>A<\/em><\/strong><strong><em> church of the future with a rich past<\/em><\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">St. Anthony\u2019s Church has its own unique heritage and today stands as a testament to the modernist spirit in which it finds its origins.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Religious Architecture at Expo 58: The Chapel and Modernism&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Expo 58, the Brussels World\u2019s Trade Fair, was not just a showcase of technological advancements at the time, but also a platform for exploring modern art and architecture. As part of the Expo\u2019s Futuristic Belgium section, many modern architectural styles were presented, including the Chapel which we know today as St Anthony\u2019s Church.&nbsp; It was originally designed as a futuristic place of worship. The chapel was conceived by Belgian architects Yves Blomme and Jos\u00e9 Vandevoorde as part of the exhibition on modern religious art and craftsmanship, using glulam (glued laminated timber), a revolutionary approach to building large open spaces at the time.&nbsp; <strong>PHOTO 21<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It was constructed to reflect the innovative spirit of the 1958 Expo and was intended to showcase what a place of worship might look like in the year 2000, blending functional design with religious symbolism. While the building itself was modest in size, it had a bold, minimalist design that stood in contrast to traditional religious architecture.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As well as its striking A-frame design, inside it showcased religious art by modern artists using innovative techniques.&nbsp;&nbsp; <strong>PHOTO 22<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">After the Expo closed, the chapel was acquired by the Verbum Dei Religious Sisters and transferred to Kraainem in 1959.&nbsp; Although some of the artwork was sold at the time, others remained with the chapel and are still featured today.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Renovations and Transformations&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Originally, the chapel had not been built with a long term vision.&nbsp; So by the time St Anthony\u2019s Parish purchased the property in Kraainem in 1983, it was in great need of renovation and reinforcement&nbsp;&nbsp; Although the chapel had served as a religious space for several years, it was now several decades old and showing signs of wear. In fact, the architects who had initially assessed the chapel\u2019s condition warned that the building had a lifespan of only five to ten years before it would require major repairs.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recognising the historical value of the church and its unique character, as well as the Parish\u2019s own needs for a place of worship, the Community of St Anthony was committed to investing in the structure and led&nbsp; a concerted effort to renovate and transform the chapel into a functioning church.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The renovations were no small task. The chapel was originally designed with a minimalist, modernist aesthetic that left little room for the practicalities required of a functioning parish church. The space, for example, could only comfortably hold about 70 people, far too few to accommodate the growing community of English-speaking Catholics.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Despite these challenges, the parish community was determined to find solutions. With limited financial resources, the community set about fundraising and contributing to the renovation and expansion of the existing structure. One of the first and most critical steps was to expand the seating capacity, which was achieved by moving the exterior wall to the outer beam, effectively doubling the space for the congregation. The original layout of the chapel, including its focal point at the altar, was preserved, but the addition of a new entrance at the back of the church and a large window on the back wall helped bring more natural light into the space.&nbsp; These works were carried out in 1984.&nbsp; <strong>PHOTO 23<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Despite these gains, the community soon found that the church had again outgrown its facilities. Various solutions were considered, including the construction of a multi-purpose centre on the grounds, but technical and financial challenges delayed such plans. Ultimately, it was decided that further extensions to the church itself would be the best way to accommodate the growing congregation.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Before the church extension could begin, ground testing revealed that the site sat on marshland, requiring deep foundation piles to ensure structural stability. This engineering challenge, combined with severe winter conditions in 1995\u201396, significantly delayed the project and increased construction costs.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Despite these setbacks, the design successfully merged tradition and modernity. To enhance natural light, the extension introduced narrow vertical window slits throughout the structure, while a large window with cross-shaped joinery on the southwest fa\u00e7ade became a central feature.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The original 1958 chapel was carefully preserved: its distinctive glass-in-concrete windows were kept in place and enhanced with artificial lighting to retain their luminous effect under the new roof. Visually, the chapel\u2019s original footprint remains clear\u2014marked by white-painted brick walls\u2014while the newer areas are distinguished by exposed fair-faced brickwork.&nbsp; <strong>PHOTO 24<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">These renovations were completed in 1987.&nbsp; The newly completed church was solemnly consecrated to St Anthony on 15 June 1997 by Cardinal Godfried Danneels, Archbishop of Mechelen-Brussels. A familiar figure to the parish community, Cardinal Danneels had previously visited on several occasions to celebrate the Sacrament of Confirmation during his time as Bishop.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PHOTO 25<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Designation as a Monument of Public Interest (2014)<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In recognition of its unique architectural significance and its place in the cultural and religious history of Belgium, St. Anthony\u2019s Church was officially designated a &#8220;Monument of Public Interest&#8221; by the Belgian Ministry of Culture in September 2014. This ministerial decree recognised the church as a protected building due to its historical, scientific, and socio-cultural value:&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Historical Value: The chapel\u2019s design for Expo 58 and its subsequent reconstruction in Kraainem gave it unique historical significance.\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Scientific Value: The use of glulam (glued laminated timber) in the chapel\u2019s construction was groundbreaking and remains a distinctive feature of the building.\u00a0<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Socio-Cultural Value: The church represents the evolution of religious art and the interaction between modernity and faith during a time of significant social and cultural change.\u00a0<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ARTWORKS AT ST. ANTHONY<\/strong>\u2019<strong>S CHURCH<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">St. Anthony\u2019s Church houses several remarkable pieces of art that were originally commissioned for the chapel during its time at Expo 58. These works of art showcase the innovative religious art of the time.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ORIGINAL ARTWORKS FROM EXPO 58<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Glass-in-Concrete Window (Roof). <\/strong><strong>PHOTO 26<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This striking glass-in-concrete window remains a signature feature of the church\u2019s architecture. Originally designed as part of the roof structure, the window still commands attention as it is bathed in light, showcasing its vibrant abstract patterns.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The multicoloured glass forms an abstract landscape, but on closer inspection, a stylized figure of Christ emerges, with blood-red feet and a white loincloth. The piece is a powerful visual meditation, linking nature with the divine and evoking themes of sacrifice and redemption.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Tapestry: Marie ou le Salut de la Chai<\/strong><strong>r.&nbsp;&nbsp;<\/strong><strong><em> <\/em><\/strong><strong>PHOTO 27<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The tapestry behind the Baptistry, titled <em>Marie ou le Salut de la Chair<\/em> (&#8220;Mary or the Salvation of the Flesh&#8221;), was designed by artist Mary Dambiermont and created by Tapisserie d\u2019Art Georges Chaudoir. It powerfully illustrates the theme of mankind&#8217;s salvation through Jesus Christ, from the fall of man to the redemption found through the crucifixion, in Christ.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">At the base of the tapestry is the Garden of Eden, with the Tree of Life flanked by Adam and Eve, symbolizing humanity\u2019s original sin. The Tree of Life rises through the tapestry, transforming into the cross of Jesus, representing salvation through His sacrifice.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">At the top, the Hand of God is surrounded by celestial beings such as Cherubim, Seraphim, and Angels, while Jacob\u2019s Ladder in the background symbolizes the connection between Heaven and Earth. A walled city with towers, representing the Heavenly Jerusalem, can be seen in the lower background, signifying the ultimate destination for humanity.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Central to the tapestry is Jesus, crowned with thorns, with Mary, His mother, beside Him. Several figures from the Old Testament, including Jesse, King David, Abraham, and Miriam, are depicted, each symbolizing aspects of salvation history. These ancestors prefigure Christ\u2019s perfect sacrifice, which liberates humanity from sin.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This rich, symbolic tapestry highlights the profound theological themes of sin, grace, and redemption, while also celebrating the vital role of Mary and Jesus in humanity\u2019s spiritual journey.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Glass and Iron Altar Table <\/strong><strong>PHOTO 28<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The glass and iron altar table is a minimalist yet striking piece of art that speaks to the simplicity and elegance of modern religious design. The narrow, curved glass top is supported by a black cast-iron frame, which is engraved with the motto: &#8220;Il a jet\u00e9 \u00e0 l\u2019eau chevaux et cavaliers&#8221; (&#8220;He threw horses and riders into the sea&#8221;), referencing Exodus 15:1-2.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Silver Procession Cross <\/strong><strong>PHOTO 29<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The silver procession cross is a sublime symbol of Christ\u2019s sacrifice, beautifully crafted by artist P. Huyghebaert. The cross features an image of the crucified Christ on one side, while the reverse side is adorned with iron nails, reinforcing the sacrifice and the passion of Christ. This precious cross was deluged for use during processions, adding a solemn and reverent presence to the liturgical life of the church.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Stone Altar<\/strong><strong> <\/strong><strong>PHOTO 30<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The original stone altar is a beautiful testament to the church\u2019s legacy. Carved from solid stone, it serves as a symbol of permanence and strength. The altar, once the focal point of the church, was relocated to the parish grounds due to its weight which the new wooden floored altar could not bear. Today, it serves as a site for outdoor Masses, which featured in particular during the Covid-19 pandemic, when restrictions on gatherings inside called for open-air solutions. The altar remains a significant artefact of the church&#8217;s heritage, representing the sacred and the eternal.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Terracotta Stations of the Cross <\/strong><strong>PHOTO 31<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The terracotta Stations of the Cross are a striking set of sculptural works by the artist Frischke E (1958). These terracotta reliefs are a powerful depiction of Christ&#8217;s final journey to Calvary, from His condemnation to His death on the cross. Each station is carefully crafted, conveying the emotional weight of Christ\u2019s suffering, sacrifice, and ultimate victory over death.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">These Stations serve as a visual meditation for the faithful, guiding the congregation through the powerful narrative of Christ\u2019s Passion.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Glazed Terracotta Madonna and Child <\/strong><strong>PHOTO 32<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Madonna and Child in glazed terracotta stands as a timeless symbol of motherhood, compassion, and divine love. This gentle and serene depiction of Mary holding the infant Jesus embodies maternal grace and the humanity of Christ. The soft, earthy tones of the terracotta lend a warm, inviting presence to the church, offering a visual connection to the Holy Family.&nbsp; Artist unknown.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ARTWORKS SINCE EXPO 58<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Remembrance Window <\/strong><strong>PHOTO 33<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Above the altar is a stained glass window which was commissioned by the Parish in 2012, following the premature death of Bernard Smith, a long-standing parishioner.&nbsp; This led to the idea to create a permanent memorial in the church for all parishioners\u2019 deceased loved ones.&nbsp; As St Anthony\u2019s is primarily an expatriate community, many deceased are buried far from where parishioners live.&nbsp; This initiative would ensure a tangible memorial in the church for all those who have lost loved ones.&nbsp; The Parish Priest at the time, Fr Pat, agreed to the idea and proposed a stained glass window above the altar.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">An appeal was then launched inviting parishioners to make donations in the names of deceased parents, spouses, siblings, children.&nbsp; The response was instant and enormous.&nbsp; In all, fifty families donated funds.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The stained glass window was designed by a Belgian artist and finished in early 2013.&nbsp; A special Mass was held in May 2013 with a dedication.&nbsp; The colours and design of the window symbolise the souls of the dead rising to heaven.&nbsp; If you look closely there is one pink piece of glass included in the design.&nbsp; Pink was the favourite colour of Bernard Smith!&nbsp; There is a plaque in the church to commemorate the inauguration of the window, which bears his name.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The names of the deceased in whose name donations were made, are inscribed into a memorial book which stands beneath the window to the left.&nbsp; It is available for the inscription of further deceased that parishioners would like to see remembered.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Prayer Garden<\/strong> <strong>PHOTO 34<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 2003, the Irish College in Leuven was closed.&nbsp; As a result, three statues of Our Lady, St Francis and St Anthony were transferred from Leuven to St Anthony\u2019s.&nbsp; A Prayer Garden was built to accommodate them, with the help of the Knights of St Thomas More, creating a dedicated outdoor are for personal and communal prayer.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ooOoo&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE STORY OF ST. ANTHONY\u2019S PARISH&nbsp; A Brief History&nbsp; The story of St. Anthony\u2019s Parish begins in the 1960s, a time when Brussels was becoming a hub for European integration. 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ANTHONY\u2019S PARISH&nbsp; A Brief History&nbsp; The story of St. Anthony\u2019s Parish begins in the 1960s, a time when Brussels was becoming a hub for European integration. 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